The hour badly spent

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I knew, after our talk, during Friday’s annoyingly poetic thunderstorm, that eventually you would get bored or curious and click on that link (I don’t mind that anyone finds it; it’s right out there in the open on my Facebook profile). Then you would read back and see "how I really felt," how childish and petty I really was, how prostrating and selfish I really was, how arrogant and judgemental I really was, how lonely and bitter and embarrassed I really was, but mostly how drunk I really was.

So I knew you would find The Hour Badly Spent and that you would tear through all those posts, and I thought of how easy it would be to just make them private, but then why did I put them there in the first place? Also: I am extremely lazy, so much so that I can’t even be bothered with extra mouse clicks. Also: it’s not really a big deal anyway. Nobody reads this shit except for a few people to whom I’ve given obnoxious nicknames [ed. note: I’m tired of trying to amuse my readers — all 3 of them — with with creative monikers. We’ll be on a first name basis. Except for Professor Potts and Doctor Dodd, because that sounds like they teach at Hogwarts. And Doctor Hately. She went on and on about how hard she studied for that title, la dee da, and if the rest of us don’t damn well recognize or whatever, she is not afraid to shank us. Then she downed a shot of Vegemite with horseradish and yelled "Huzzah, beehotch!" at Princess Glitter Bunny, which was utterly terrifying but also kind of hot*].

This stupid blog was not meant to be some sort of cudgel. So, about all those verbal swipes; umm, my bad. Skimming back through them, I’m actually terribly embarrassed. They weren’t really about you; they were about me: a tabloidey chronicle of what the f, exactly, I am doing here, because otherwise I’ll forget. And if now, I am sometimes disturbingly quiet, it is not because of you or any you-and-me stuff. I had a pretty bad summer, during which I made a terrible mistake and now I’m a thousand miles away and cannot fix it. I don’t mean to play the mystery man but I also really don’t want to talk about it. However, it’s on my mind a lot, and at times it will make me kind of withdrawn and surly until I can think of a witty declaration of some sort, which will usually come in the form of a Russian reversal ("In Russia, declaration think of YOU!"), because those are cheap and easy. Everybody knows how I feel about cheap and easy.

Anyway. So. Not to be all "the only emperor is the emperor of ice cream" over this but it really is all kind of old. A month in blog time is like two years of reality. I’ve aged TEN YEARS since, you know, back then. Which makes me forty-fucking-six. And not to diminish what happened, either, because we did, in fact, have a good time.

It was a good time because you took me to Lawrence in the winter, which was beautiful and white everywhere, and to that party full of Lawrence hipsters — who are much better than Manhattan hipsters because in Lawrence their dresses are smaller. It was a good time because of that morning we laughed together for five straight hours, even though I know you are not that funny and neither am I. It was a good time because we drank way too much and spent nights together and all that other stuff, and perhaps there was just not enough "other stuff" but whatever; you get the point.

Let this be the last of these pretentious livejournal-ish rants of mine. And I’ll try to cool it on the Sonnet 30 references. The Collegian is out! Let’s go make fun of it. And maybe while I’m at it I’ll write more coherently.

*This never actually happened. But it definitely should have because isn’t it awesome? Plus you can totally picture it.

I picked up a vial of mystery pills standing in line outside of the Electric Daisy Carnival. It was a rave! Fifty thousand of Los Angeles’ most annoyingly young, all in one spot and dressed like the X-Men.

Woody, Silly Question and I had been standing in line to get into the actual party for about two hours, intending — along with Fernando (yeah, who are these fucking people anyway? Don’t worry; it’s not that important, and none of us dressed up) — to meet Solomon and Manuel at the V.I.P section, then run away before a bouncer could kick our asses.

While we were in line, Fernando disappeared.

Woody, you’ve got his number. Call him. Good thinking, no?

It won’t work. I’ve got his phone.

Why in the world would you have his phone?

He asked me to hold it.

Why in the world would anybody even ask somebody else to hold his phone?

Why, indeed. He produced it from his pocket: an iPhone. It was silver and liquidey. It looked like a jewel.

You should let me hold it. I’ve got better pockets.

I was wearing my corduroy hipster jacket. It makes me look dashing and protects me from the Hulk. Plus it’s got a bunch of pockets.

So there we were, still in line, not even technically at the party yet and already we’ve lost someone. The line hadn’t moved in thirty minutes. Around us, ravers were getting out of line and rushing somewhere else. That’s when I saw the bottle of mystery pills and, anticipating a pocket check at the gate, stuffed them into my sock.

Silly Question made as if to swat the bottle out of my hand, gave me her hand-wringing screed about ingesting foreign objects, and assured me that I wouldn’t have to resort to popping mystery pills. She had some X and intended to share.

Great! So when can I have it?

Just wait.

Wait for what?

I waited.

Silly Question’s shoulder was getting tired. "Hold this," she said to Woody, handing off her spinach-green satchel.

Rumour held it that off to the left, another gate was actually open and that the line was actually moving while ours wasn’t.

Hey, I’m gonna just go check out the other line; see if it exists, divine its true purpose. Wait here. I’ll be back.

I found the gents’ then checked out the other gate. It did exist, it was moving, and it brings a message of peace and compassion. When I went back to the old line, Woody was gone.

He went to look for you.

Why? I took a leak and was gone for like three minutes.

He also took my bag.

"…"

It had my wallet and stuff in it.

Naturally. Why would you even have handed it off to him in the first place?

She explained.

Yeah, your back hurts or whatever, but so what? You can’t just switch shoulders?

After twenty minutes he still hadn’t shown up, so fuck it, we went to the mythopoetic alternate gate, where we got in after five minutes (I survived the pat-down with my mystery maybe-poison pills). We wandered around for a while, looking to and fro, hoping for Woody to materialize. An hour later he texted: I’m at the front gate.

Can we, umm, take the stuff now?

I wanna wait til later. Meet up with everyone and then do it all together.

Life is short. Why wait?

We met up with Solomon and Manuel, but still no sign of Fernando. He had gone missing hours ago, far back in line, so we circled the front area hoping he was just now reaching the entrance and he’d just happen to notice the rest of us as he finally trudged in, dejected and alone. That plan sucked and didn’t work. Sol had a new one.

From now on we gotta stick together.

Be realistic. There’s six of us. Well, five of us. And fifty thousand people swarming around like desert sands. At some point we will get separated. We need a backup plan. A meeting place.

Right here. Front gate.

Front gate?

Front gate.

Front gate it is.

The vodka I had been sipping out of a Gatorade bottle while we were in line was starting to wear off.

Losing buzz, gimme drugs!

Not yet.

It’s already ten. What are we waiting for?

We decided to go into the Coliseum and do the thing. After we popped the pills Solomon wanted to head back to the VIP lounge and I wanted to hit the football field, which was packed wall-to-wall with naked gyrating hipsters. We agreed to split up and meet back in the cheap seats, and if we didn’t see each other there, we’d fall back to the Front Gate Backup Plan.

Silly Question and I maneuvered our way down into the field, shoving our way as close to the stage as we could. There was also a woman dressed like the Amazing Spider-Stripper threading her way up, down, and all over a big steel cage in the middle of the field. At midnight, we headed back to the cheap seats, as planned, and seeing nobody there, made for the front gate. At some point along the way, Silly Question made a left while I went straight, or vice versa, and we lost each other. FRONT GATE: that was the plan, right? I made it there and waited. Silly Question didn’t show. While I was chain smoking, Solomon and Manuel showed up, grinning and sweating like — well, we don’t make that kind of simile on this blog, but you get the idea.

Where’s Silly Question?

We got lost. I’m waiting for her to show.

The pills work?

No.

That sucks. I am feelin pretty good right now.

Then they left: we’re going to the bathroom, we’ll be right back.

Later on, talking about this with the Poetess, she observed that a rave probably wouldn’t be fun if you weren’t high. She’s right. I was getting pissed. If we’d hit the X earlier, I would have known before one in the morning that the shit wouldn’t work. Then I could have made contingency plans. I could have made vodka plans. In Russia, vodka plan YOU!

Silly Question finally texted me; she was standing out on a hill beside the Coliseum, under a floodlight. Christ, what ever happened to "THE FRONT GATE!" When I found her I let her have it. FRONT GATE FRONT GATE FRONT GATE I said. We went back to the FRONT GATE to wait for Solomon.

A half hour later it was pretty clear he wasn’t gonna show. And I was STILL NOT HIGH. Fuck it, I said. We headed back into the Coliseum to try and dance with the raging hordes. What was the point of coming up with a plan nobody would follow?

We stood near the top of the stadium, facing down the same midnight-black soup of naked hipsters we had been wading through hours ago, peppered gently with their glowey, spinney accessories.

Sorry I yelled at you about the front gate. It’s just that we made a plan. A simple plan. If you’re lost, do this. I thought you, of all people, would just follow it. There are fifty thousand people up in here. Of course we’d get separated! My own effing parents could be down there having wild koala sex and I’d never even know it. That’s why we made the plan. Front gate.

She nodded.

Look at them now! Fifty thousand skanks, with their fishnets and their glowsticks. Elbowing their way through spikey-haired tweakers. Tripping over lovers and empty water bottles. Making out with each other. Look at them now; here and there one lights something up and makes it spin. They have all come together, not knowing how beautiful they look from up here. But you and I don’t matter to them one bit.

Dude, I think your pill is kicking in.

Hm. I guess it must be. Yours isn’t having any effect?

Manuel is holding mine.

Jeez, how long ago did we go through this? You’re gonna thrash this high that I only became aware of mere seconds ago. Happiness is fleeting, like glitter in the moonlight. I know, right? That’s the drugs talking. Mostly.

The night was finally picking up. And yes, I still have these:

Few things are more awkward than when a girl brings her friends with her on a date. Like backup in case the evening goes south, and the guy knows it. Saturday night I got to be one of those judgemental cockblockers; Ariana was meeting a soldier for drinks at Mae’s, and she invited everyone along with her.

As soon as I went down the stairs, I was greeted by a bunch of reporters in red T-Shirts. The Collegionnaires were pubcrawling tonight! "Hey, come with us across the street to Pat’s" said Brett King. Hey Brett & Co., just because I may have, on occasion, posted a few unflattering comments about  a tiny portion of your writings, this does not mean we can’t be friends, right?

They looked like they were having fun. And I did want to go with them, badly. Nevertheless, I had made a promise to Ariana. You know that I’m like the least manly person you know? That’s true, but it’d be great to have you there anyway. Besides, I really want you to meet him. By the time I showed up (an hour fashionably late), everyone was already drunk and surprisingly huggy - Ariana (felt good!), Cate (felt good!), Carolyn (felt good!), Cherry (slightly awkward!).

I spent an hour or so floating between Ariana, Ariana’s date, and Carolyn, who was kind of down because the football player she was seeing got mad at her for no apparent reason and slammed a door on her foot. That’s a definite no-no. He’s supposed to do that to the other team’s girlfriends!

When the soldier went to the bathroom, Ariana turned to me. You’re not trying to get with Carolyn are you?

Probably not, I said, drinking something that was in front of me. I’m not really in a flirty mood, and besides, my type looks and sounds much more like Ariana (reddish hair!) than Carolyn (skinny & blonde).

And then she hugged me again. Why is she so huggy tonight?

So how are you, The Hour Badly Spent? Her vowels are normally long anyway. Tonight all her small talk comes out like singing.
Super!
You know you can talk to me.
About what?
About anything. I search out her eyes. Maybe she really does want to get to know the real me.
How drunk are you?

By this time, Cherry had surrounded herself with guys, all of them much older and taller than her. One of them was like 50. Looking at her daddy issues on display from across the bar, I couldn’t help but feel cold and dark inside, like I was watching a puppy in a ritual sacrifice, except I can’t tell who’s the puppy and who’s the knife-wielding priest, who exactly is fucking whom, and maybe they are all victims with no predators or maybe they are all predators with no victims or maybe it’s just extreeemely creepy seeing some kid with old guys floating around her like stormclouds. If they’re going to swarm and compete to stroke this girl’s ego, why not just put their dicks on a chessboard? That’s a game I could play, because I get erect in an L-pattern.

At any rate, I settled into a booth, just sort of fading into the scenery. Ariana’s talking to her date. Carolyn left a while ago. Cherry’s doing whatever it is she does with clusters of older guys. I could sit here forever. I could also just go.

So I did.

Outside I tried to catch up with the Collegiannaires. How sick is it that although they’re snotty red-staters I really wanted to drink with them? The streets were full of people, cigarette butts, and vomit. There were purple T-shirts. Baseball caps. Girls with short skirts, long legs. Douchebag guys with their douchebag friends. A girl, frantically crying and pleading to an annoyed cop; her friend being responsible, "Christina, settle down. He’s not gonna do anything." No journalists. Starting with Pat’s, I went from bar to bar (the back of O’Malley’s smelled like gin and semen), skipping the ones with cover charges, peering through and around girls with impossibly clear skin, wriggling around more baseball caps, more short skirts, more long legs, more purple tees. Still no reporters. I went back into Mae’s and told Ariana that I was heading home.

He strides into the party with mirth and fanfare, as generous with his beer as he is with his condescension.

He has travelled far and wide, to mysterious Eastern lands and exotic European capitals. He has gathered a treasure trove of knowledge and wisdom, which he makes no attempt to hide from you.

If he didn’t talk down to you, he wouldn’t be saying anything at all.

So there you are, in his massive apartment on Saturday night, watching him sink into a frantic guitar-plucking trance.

The girls with long hair and gypsy skirts whirl and dreidel around him, hipster ballerinas shitting their small-town angst. He ignores them.

The others languish on the couch, heads propped up on cushions, on shoulders, on curiosity. He ignores them too.

Like this, he’s caught up a zenlike blissful dismemberment. His body fades into nothing, just hands and ears, whipping everyone around him, hornists and dancers and bored onlookers, into a froth of masturbatory coolness.

But you’re getting into it too, and he doesn’t sound half bad, actually, and maybe you could party even longer, maybe even forever, just as long as he doesn’t open his mouth again.

Yesterday I woke up to shitty weather, a sore throat, and a big ass screenwriting assignment due. A Thursday hat trick! Bonus: since I’m sick, I can’t smoke. Without cigarettes, I’m not nearly as smart or funny as I think I am, which makes it hard to write a sitcom script (or an entertaining blog, for that matter), but eventually the script got done and I felt fifty shades of relief. I celebrated by…oh right, no smoking. I took a nap.

I woke up at around 7:35. Five minutes late for the Take Back the Night rally - just in time to miss the strident speech expressing solidarity with women everywhere. I’m sure it was grand. I arrived just before the march started. Those girls I hardly ever see anymore were there too. The ladies marched to City Park. I ducked into the library then met up with them in an auditorium at the park.

There were tables set up. And explanatory pamphlets. And a band. And T-shirts. It wasn’t quite what I expected. The atmosphere was…. kind of, I don’t know, fun? Except that there weren’t really that many students here. Or professors. Or townies. Or local law enforcement. And the weather outside was frightful. The girls I hardly ever see any more left shortly before nine. I decided to stay, in order to spite them (I’m kind of petty) and express solidarity with the cause (I’m kind of noble. Chalk it up to the dual nature of man). Curiously, once they left, the party picked up. Or maybe I just payed closer attention to it.

The band was two MILFs with quirky, subdued humor and a good rapport, one on keyboard and one on guitar, and their songs were actually pretty catchy. The few people who remained even started dancing. It got to feel like I was watching a bunch of friends hanging out. Good times for all, except those who had to trudge back home in the rain. Suckers, I said, before I noticed that my socks were soggy and my umbrella was fucked up. I don’t know what else to add, because I’m still sick and I really have no idea how to frame a coherent narrative without nicotine.

Don’t you ever wish people would stop making such a big fucking deal over the word ‘nigger?’ Two of K-State’s "best and brightest" journalism students (take that, Whitney Hodgin!) interviewed Boondocks creator Aaron McGruder in front of a crowd of captive hearts in Forum Hall. So Deborah Muhwezi asked him what was up with his characters’ frequent use of the n-word.

"I’d rather people say ‘nigga’ than say ‘n-word’ because n-word is stupid. It’s fundamentally immature, like saying ‘dookie’ among first-graders; like we are running from a truth we all know is there."

"I certainly understand the sensitivity and power behind it," he continued. But it’s vapid and pointless to huff and puff all your outrage on that. "There are lots of people whose job it is to keep the conversation of race at the level of ‘we shouldn’t use the n-word on TV’," he said, which keeps us from finding any real resolutions to real social problems.

Yeah, so politics is kind of a downer, and McGruder is in the funny business. How does he make it work?

"If you set out to tear down stereotypes, well then that’s positive, and we definitely try not to be that. We have to find a way to make it funny."

In his comedy, McGruder spins a version of what black people seem to talk like behind closed doors when they’re really fucking drunk (like me) and high (not like me, but I’m working on that). The nature of comedy and storytelling is such that positive portrayals are inherently boring; showing us the parts of ourselves that are dirty and embarrassing gives his work a special kind of truthful bite. Servicey!

"We don’t find the stuff very controversial. In other words, we’re not very sensitive people."

Also, without a line between entertainment and news, those two mated and gave birth to a voracious infantile media machine that’s set up to gobble up ratings out of whatever shlock it can find but then use our collective brains as its diaper. So fuck Fox News. And CNN and MSNBC and the whole pundit industry in all its incarnations. But mostly Fox. And BET too. And if Whitney Hodgins’ article ever goes live on the Collegian web site I’ll make sure to link you, ya know, whenever I get around to it. In the meantime I’m doing homework and NOT prowling for Boondocks episodes on teh YooToobz. Probably.

 

I met up with Cate, Carolyn, Jordan, Cherry, and Johnny (an old guy dressed up like a vampire) at Rusty’s for Cate’s 21st birthday. Over the course of three Captain Cokes I figured out exactly what it is about this whole clusterfuck of Thursday-night undergrad social interaction that makes me so suicidal.

Seeing all these kids so effortlessly happy and in-tune with each other, I can’t help but self-indulgently compare it to my own inner turmoil. Their enforced shallowness, the terse, hollow exchanges, their hypercasual "hey good times, see ya around," sending me into stifled palpitations of last-call blues as I attempt various ploys at securing a future reunion, and I come off looking half-insane. The whole shin-dig starts to feel sort of like going to church; you came here wanting to belong, to be accepted for your flaws and whatnot, but they keep making you sing these damn hymms you don’t even know and you just fumble trying to keep up, choking your ability to be honest with yourself or anyone else around you in this chapel of mirth, and you’re no better off than when you first walked in the door.

Also, you probably still had steam to blow off from that nerve-wracking Thursday screenwriting that makes you feel stabby.

[update: an anonymous tipster informs me that "grad students are worse then undergrads because they’re all neurotically self-absorbed." Great, now there really is nothing to look forward to. Except, of course, church. Party on].

Alex Peak and the rest of y’all think you’re all so stressed in college, probably because in high school you got good grades without studying or doing homework and still managed to be peppy and popular, but suddenly a few years later it’s getting close to finals and the teachers just fucking pile on those exams like Halloween candy and you’ve actually got to study. So listen up kids: that is not stress. Stress is fighting 10 miles of highway traffic to eek into a job where you juggle your coworkers’ backbiting, passive-aggressive bullshit with the demands of a boss whose idea of encouragement is not firing you, and after ten, eleven, twelve hours of that every day you fight traffic again going home so you can catch the last fifteen minutes of Grey’s, which is really all you wanted all day long, and as you nod off for the night, you ponder what your life has come to and has it all been worth it or whatever. Then you wake up three days later in a Mexican jail, with a heroine dependency and a case of the runs, right in front of two middle-aged Federales who are seconds away from cumming in your face, and you think to yourself, "shit, this is just like high school." The awesome thing about college is that once in a while you can just call up someone sexy and interesting, get high and play hookey, and just come back whenever you get around to it. I, unfortunately, am old, and those days are far behind me.

I’d been picturing this moment in my mind the second I came here and saw the band: their dark suits, their swing-dancing wingtips, the trumpet and the sax, and every time it runs through my head it goes like this:

"Hey, let’s dance."
"Whatever. I’m leaving.

But the band’s been at it for an hour, ta-tum tum ta-tum tum, and they are kicking ass, and I’m tapping my feet and swaying my head, and for some reason I got all dressed up tonight; new hairdo, favorite shoes, favorite tie, favorite shirt, and I just can not help myself. It’s now or never. I turn to Madeline and ask her.

"Oh, I have no rhythm." That’s not the point! This is Auntie Mae’s, not Soul Train.

But is this one of those times when I’m supposed to be a man and just go for it? I can never tell. So I make for her hand and she moves them both under her bottom. "No means no." Umm, it’s a dance, not a rape, but point taken.

It is never "one of those times."

She gets up to use the bathroom and while she’s gone a couple of girls walk by, going into a holding pattern right at the empty bench.

"Uh, sorry. Someone’s sitting here."
"That’s okay. I don’t want to sit there anyway." The way she says it makes the word there point at me and stick its tongue out. Saucy! As she walks away, I notice a tramp stamp: a ship’s helm (I guess it’s so the seamen know where to go).

Madeline comes back and the band is still going. The helmsgirl flutters back this way, onto the dance floor, with Jimbo (That guy knows everybody). They are dancing and the song winds down and the band announces their next one:

"This is a song by Duke Ellington. He still has it doesn’t he!" That makes one of us. I turn to Madeline again.

"Should have come here with a different girl." Duly noted.

And fifteen minutes later they start up another number, with that tempo again just right, ta-tum tum, called "Let’s drink wine." I know now if I can’t find someone to dance with me on this one I’ll be a miserable failure, sitting here with a stupid twisty hairdo and a stupid black shirt and stupid jolly-roger vans and stupid polka dot tie. I turn to the curly-haired blonde on the barstool next to me.

"Hi there. My name’s Swingie McJazzhands."
"Hi! I’m Anna."
"Nice to meet you Anna. How are you? This band is great, aren’t they?"
"Yeah, I love it."
"Would you like to dance?"
Oh, I can’t. My friend and I were waiting for someone and now we’ve gotta head out."

True to her word, they skedaddle up the stairs and out the door, presumably to a better, albeit torturously jazzless, party.

Jimbo’s on the floor with that girl again. There is exactly one other person here who I already know, and she is sitting front and center, so what the hell, might as well take another crazy chance and ask her. So I do. A moment later I take her by the hand and we start swinging and grinding like we were born for this night.

Ha ha, just kidding. She shot me down too.

What is it about Thursdays that, by early evening, right as screenwriting class ends, makes me feel hollow, torpid, and dissatisfied?

First thing: one more hour of Spanish this week. It’s actually not so bad - Ms. Diaz is much more simpatica than she seems; but last semester’s god-awful class left a bad taste in my mouth and I’m probably just still just still dry-heaving it.

Second thing: the few people I do know here tend to become scarce all weekend, and there are no new episodes of anything on the tubez, leaving me with nothing to do except write.

Except I can’t, because (third thing) by now I just feel cold and dead inside; no imagination, no oomph, so I end up basically napping from Friday night to Sunday afternoon. Then Sunday night I scramble to finish the homework I put off.

This list is on my mind, halfway through a gin & tonic - extra lime - when the Communist Spy sends me a text.

If you’re not doing anything right now you should join us at Kathouse.

Cigarette in hand, I pound down the drink, dash out the door, and am at the Kathouse in five. I’ve never been here before. The Communist Spy and her cadre of five other girls - Darcy, Leshia, Maureen, Katie, someone else, and a Gentleman who Travels With Katie - are here to see a band. Of the six girls in the group, 9,340 of them have hooked up with someone in the band. The Spy motions for me to take the corner seat, next to her.

"Took you a while."

"I was at Auntie Mae’s."

"You smell like Auntie Mae’s." (In Kansas you can still smoke indoors and Mae’s has a basement, which, aside from the absurdly cheap drinks, is why I like it there).

While I’m waiting for a drink the guitars fire up. It’s funny; all week long, you think to yourself how badly you just need company; the violent jolt of social contact might inspire "emotions," "longing," "happiness," or something. How going day after day with this feeling of isolation makes you feel like a dismal failure; that you should just get out more and be around people.

But then on Thursday night you find yourself in a big dark room, resenting the three-dollar cover charge, the band working the crowd with skill and confidence sharply reminding you that you’re about 3,000 years old, the dizzying pockets of sparse lamp light, the watered-down drinks, the throng of blondes fenced around the barkeep like tube-topped Vikings laying siege to the coast. And the barmaids who ignore you. All of it just grates inexplicably on your nerves. You can fake it for a while; ten, maybe fifteen minutes, before you have no choice but to slink away, find the exit, and disappear into Friday morning.

Determined to meet other, better English majors and silently judge them, Friday night I hiked to downtown Manhattan for a poetry reading at the Streckler-Nelson Art Gallery.

 

What’s more sad: that this kewgr leers down at me on my way up the stairs to the gallery, or the fact that I kind of wanted her? Just kidding! These are both cause to celebrate! I’d never been here before so I gave myself a quick tour. It seemed to be about the size of 10 dorm rooms, all full of paintings and pottery and plants. I would have taken better notes but I was too busy prowling for grad students to hit on. After a minute of this I remembered I don’t know anybody and made my way to the room full of chairs. I sat two seats down from a Pretentious Literary Douchebag who had his nose in Penguin Classics’ Medieval Literature. Jonathan Holden, a poetry professor with furious, leonine eyebrows sat in front of me with his wife. Apropos of nothing, I like to secretly sit behind my professors and snap photos of the back of their heads whenever I see them at some function.

See, I snapped this one of Donald Hedrick - perverted Shakespeare professor - last week at the violin concert:

 

Meanwhile, the grad students around me made small talk:

"Aren’t we having fun?"
"Fun fun fun!"
"By the way, I put arsenic in your club soda!"
"Great! That way I won’t have to see your douchebag face anymore!"
"Super!"
"Grand!"

Once we got started, the rule was that anybody with poetry of some sort should just walk on up to the podium and show off. Lisa, the first reader, was boring. The guy after her, Joe, wore a button-down shirt two sizes too small, and no matter what he did, he was showing off his triceps. He had taken a passage James Joyce had written about snot and copied it onto a roll of toilet paper. After him, a hipster cutie presented her "Studies in Prepositions," poems consisting of the same preposition repeated musically for entire stanzas. "It does neat stuff in your head," she explained, which I took to mean when she’s done I won’t know whether to hate her for thumbing her nose at conventions I continually fail to get the hang of, or to love her for her playful, impish mastery of the quirks of language. I put this dilemma to rest the instant I realized that this chick was probably kinky enough that if I could give her a really clever pickup line, she might tie me up and ride me so hard I couldn’t stand up straight for three days. In that context, her poems were pretty rad. Her last one was somewhat more traditional. "This is where we move past morphology into syntax," she said. Hot!

Next: until now, all the poets had the common decency to read TWO or THREE of their favorites and then sit back down (Joe: "I’m gonna share a couple of these and then stop ruining your life"), but this particular reader, Nelson, had written a bunch of Really Deep poems about birds and the night and vegetables and breasts, earnestly challenging us to ponder things like The Night and Love and Curiosity and Truth and Beauty and Birds and the size of his thesaurus and, well, Breasts. He must have used the word "breast" every stanza and the thing is, well, the thing is I have NEVER IN MY LIFE WANTED ANYBODY TO STOP SAYING THE WORD BREAST LIKE I WANTED HIM TO STOP FUCKING SAYING THE WORD BREAST but he just went on and on (like this sentence), with these awful mosaics, so many of them, their roman numerals crashing against my BREAST like kamikaze pilots, a sickening montage of VI, VII, VIII, IX, X, XI…… until finally he was done.

It is my secret wish to become the school’s Pretentious Literary Douchebag. But the guy sitting two seats across from me, his nose in Penguin Classics’ Medieval Literature, had me completely outclassed. He was a slender man, with a strong chin, gold-rimmed glasses, hair like a field of sun-kissed Kansas wheat, eyes as blue as swimming pools and flowing with erudition; he wore an oxford and a blazer that had a gold star pinned to the collar, as though he had just stepped out of Dead Poets’ Society and materialized in this very room, Streckler-Nelson Gallery in Manhattan, at 7pm this Friday night in February. He got up and introduced himself.

"Those of you who know me know I’m rather fond of medieval literature," he smirked, leading me to reflect wistfully on James Joyce’s snot. While he read, I got up to get some wine.

The lady after him was excellent; she recited from memory a poem about having an orgasm (or was she really just having an orgasm right before our very eyes?). Climax notwithstanding, she used a lot of muted synechdoche and really managed to craft a good poem. Some other people recited some other stuff after her, but I wasn’t paying attention because an orgasm is kind of a tough act to follow. Then the thing was over! I probably should have stuck around to meet people, but true to form, I had a better party to go to, so I bounced. But not before snapping a pic of Lit MILF Elizabeth Dodd:

 

Hot pants, Liz! I mean, Ms. Dodd. Ahem.

 

“i know its not really any of my business, and you probably dont care how i feel, but…if you were to hook up with cherry, id probably be really upset. id like to think im a cool person with no hang-ups, and im not really into her, but truthfully it would just piss me off. maybe im just hallucinating, anyway, and she isnt into you, and you arent into her, but. yuk. i cant really say why the idea of you two together wigs me out so much, but it really really does. so i figured id tell you and maybe youll care and maybe you wont, and maybe it doesnt matter anyway.”

-Madeline

And so began Thursday.

There ought to be a word that conveys the sense of “fuckittyfuckfuckfuck,” but - as in mathematical parlance - to the nth degree. Perhaps something like “I want to crawl under a rock somewhere, let maggots pick at my worthless husk, and then in 500 years when I wake up all this will have blown over, even though I’ll look like hell.” Too prolix, no?

Obviously, she’s suspected for weeks. I spent all day turning this dilemma around in my head. Tell the truth, piss her off, watch her walk away. Would she ever come back? Why would she say that I don’t care? How could she even think that? And wouldn’t I have to, like, make it up to her? But how? And what sort of relationship would that be, centered around a debt? Madeline’s been nothing but fantastic to me and now who knows what’s gonna happen? So many questions.

Alternately, lie. Keep my friend (for now, because obvs she’ll find out before long if this keeps up). So I turned this thing around all day, this sword of Damocles, sitting in my head and in my gut, wondering what to do about it? Where to put it? Who to tell? What to say? I thought about this all damn day long. Chain smoking. Physics class. Reading the Times. Eating. Waiting for Cherry to call. Screenwriting class. Another cigarrete. And another.

 

It snowed that morning. I saw Cherry outside the Stuni, and we talked for a moment before her phone rang again (it was her mom). The snow was really coming down; the wind stabbed and jabbed at our faces, our fingers, any exposed skin it could find, stinging and snipping like a juiced-up prizefighter. She got off the phone and I walked with her to class; we shared schedules; she’s got classes and rehearsal all day long and so I probably won’t be seeing her later; I wanted to tell her about Madeline, but what, really, would I be telling her? So when we reach Bluemont I just hugged her goodbye and headed off to physics. My cig went out and on the way as I fingered through my pockets, juggling papers and quarters and gum and keys and coughdrops and a comb and my ID and STILL NO LIGHTER! So I did it again and then again and then I remembered I handed it to Cherry, and when exactly was I going to see her again?

I was afraid that mentioning this to Cherry would, like, pressure her to give this thing more thought than she’s willing to, which will naturally send her running for the hills. So, is that what it’s come to? Am I supposed to be stuck in this no-man’s land, a streets paved with eggshells, a hazy, dimly lit Hell of Not Knowing? And is this not my own doing? My own timidity, my reluctance to just take charge, manhandle that girl, get up and dance with her and take what I want without apology, albeit in a loving and respectful manner? Niceguyism rears its ugly head once again.

A girl like that, a girl who can do that thing with her lips and her eyes when she smiles, a girl like that is a wicked wicked creature. Being with her is like getting up to dance by the bonfire right after downing a bottle of moonshine, because the fire is so fun and so beautiful and so dangerous at the same time, and while you’re dancing you feel so buyant and alive but also terrified, because that fire could rage out of control and swallow you whenever it wants to, or you could make a single stupid misstep and fall right in at any moment, and you were in fact terrified from the moment you got up to dance but that was really part of the dance too all along, and now its heat is so soothing and so menacing and you can’t stop the dance, even though you know you’re in mortal danger, because you’re drunk and you NEED THAT HEAT like you’ve never needed anything else in your life.

That is Cherry.

At 10:30 that night I stepped outside for (yet another) cig and made that dreaded phone call to Cherry - dreaded, of course, because who wants to be bothered with this shit? I told her what I was thinking about doing (reveal) and asked her what she thought I should do: deny deny deny, adding "Isn’t that what you do anyway?" Excellent point.

At that point, that I hadn’t spoken to Madeline all day probably told her all she needed to know. Nevertheless, I took a stab a the denying thing:

"It is totally your business, and OF COURSE I care A LOT about how you feel, and IT MATTERS. Me and Cherry: not happening.

Having said that, it seems to me that you must have some sort of feelings, either for her or for me. And of course, I can see why you’d be after me; after all, with the right haircut, I’m quite dashing; I’ve been drinking beer for a couple years and have developed an impressive gut - THE MARK of a bon vivant, a man who knows what the ladies like; I’m quite good at certain video games, which no doubt you find irresistable; all in all, with my whole nerdy loser schtick, I pretty much have to fight the ladies off of me. On the other hand, Cherry’s kinda cute too, I guess. Whatever."

Although I was more or less talking out of my ass like I always do, was I on to something? Why else would something like this affect her so? I asked her and she said yes, maybe she does have a thing for me, which I suppose explains it, but not really, because to whatever extent that it’s true, it’s pretty clear that she has no intention of DOING anything with me; she’s had sooo many chances - way more than anybody else in this forlorn town, and she’s also got so many options anyway so what the hell makes me special all of a sudden? I doubt being with her would satisfy her in any way; just the same, there’s no way she’s losing any sleep over not being with me. Bottom line: if she thought I was getting together with ANYBODY ELSE in the world except Cherry, she would not have sent me that message at all.

Not that I feel any better about it. Lying like that was the shittiest, most cynical thing I could have possibly done, and I did it did it anyway; now I have to go back and tell her that not only did I "betray" her but I lied about it, and obviously I lied because I didn’t want to lose her but that does not mitigate the cowardly shittiness of what I did. And what does it say about what I have with Cherry that I have to keep it quiet or else fear that she’d just vanish into the night? I hate just thinking about it, but when I look back I have to ask myself, what, precisely, am I getting out of this? Happiness? Passion? Misery? Hell? Is there even a difference?

 

Cherry had literally been dancing all night. It must have been what, 2? Half past 2? She got up from her laptop, with iTunes wide open, dumbly dragged herself to the radio, to the light switch, fumbling with them both til they shut off. She shuffled to her room, baby steps, and disappeared. Chelsea and I looked at each other. She went to go check on Cherry. -Is she out? -Yeah, Chelsea said, gathering her coat and shoes, heading out the door. We exchanged "nice meeting you"-s, then she left and I doubled back to Cherry’s room to check on her myself, and she was on her bed, on her back, totally out of it, catatonic and listless, eyeballs slender white slits through nearly-closed lids, legs slanted off the bed; there she was, the only time I had ever seen her look anything other than absolutely glamorous - I’m thinking of that look she flashed me hours ago, that thing she does when she smiles, with her eyes and with her lips, like tossing sex at me over her shoulder; I will never forget that look as long as I live - anyhoo I picked up her legs and swung them on to the bed, holding her for a moment to make sure she was still breathing, just asleep and not in danger - not that she drank that much but still, I was relieved at the way her stomach pleasantly rose and fell under my hands; for a second I fixate on the hole in her pants (this is her favorite pair), she showed it to me yesterday: a nickel-sized triangle an inch below the knee, then I snap out of it and spread some blankets over her, three or four layers, and I put an extra blanket over her feet (every time she climbs into bed with me her feet are freezing, so I warmly rub mine against her soles while we snuggle and fondle each other), and I look back at her face - the face I couldn’t stop looking at all night long - and her hair, always exploding and falling around her like a burst of fireworks, I take her glasses off, put them on her nightstand, and I kiss her face and whisper "night" into her ear - she won’t remember any of this tomorrow - and I go back to the living room for her coat and her laptop, place it on her other bed, thinking for a moment how nice it would be to get nekkid and crawl into bed right behind her, thinking about the space I can never stop kissing, that space where her neck and shoulders meet, so smooth and sweet like a candy bar, but then what if she wakes up dazed, disoriented, and hung over? She will definitely have one hell of a hangover, all that Jose Cuervo. So I think better of it, don’t want to intrude on her personal space, but before I go, I fidget a pen out of my bag and write on the palm of her left hand: "Call me <3," then I turn the lights off and head out the door.

She’ll wake up in a few hours with a headache, and she’ll call me, or maybe she’ll go to the bathroom and see what’s on her hand after she flicks on the light, then she’ll call me. I’m lighting a cigarette and crunching through last week’s snow. It got cold fast! It was fifty degrees today, but it dropped as soon as night fell, now it’s really chilly, about twenty; I’m passing through a parking lot, and there are four guys standing next to a car under a lamp, one of them - kind of a poindexter - drunkenly trying to goad the others into a fight, but they’re not biting, I overhear. Yes, she’ll call me; the back door to Marlatt swings open, backlighting three girls, all drunk and wobbly, dressed to kill, a boy hugging the back of one of them; I wave Hi as they inch their way out, swaying like cats’ tails against that door. Tomorrow I’ll see her again! She’ll call me first thing in the morning.