The hour badly spent

Silver Bullet’s friend Andy is in at least one band, and last night they played at the Malibu Inn (it’s not an actual inn). We picked up Andy’s sister Greta and made the trek up Pacific Coast Highway to Malibu.

The first act was acoustic; skinny black guy — Emory Davis — and his guitar. A girl chimed in for some duets. I liked her voice — it was operatic — but when she wasn’t singing, which was most of the time, she just sort of sat there. Greta was even more annoyed than I.

Gretta’s Jetta: Didn’t he say "she sings like an angel?"
Silver Bullet:   Apparently angels only sing falsetto.
Silver Bullet:   I don’t know about guys in those low-cut V-neck shirts. It disturbs me.

They finished up and a team got the stage ready for the next band. A guy who looked like Jesus fiddled with some equipment then said "check one check two" into the mic, repeating this about ten times. "All sound guys look alike," Greta said.

After that, Andy’s band — Echo Division — hit the stage.

"I saw them at the Light House a few weeks ago and they were trying to be all pop-ish," Silver Bullet said. "It wasn’t working. They’re ten times better tonight."

True to form, I wasn’t impressed. They sounded kind of dull and the lead singer had this Dylanesque wheezey thing going on.

After a while even Andy started getting bored on the stage, because near the end of their set he started flashing gang signs. Then it was another band’s turn.

"Does anyone know who John Hinckley is?"

The name sounds familiar, but the category I picked tonight was "music for $10" and not "I know something you don’t" so maybe we could get on with the music thing. Hey, just for kicks, why don’t you go ahead and tell us who he is, lead singer? Thanks! Servicey!

Apparently, he shot Ronald Reagan so that Jodie Foster would notice him! It was love! Love drives us mad! That’s what the next song is about! Thanks professor; the lecture was much better than your music. Zing!

"I think these are all church bands," Silver Bullet said.

Makes sense. They all sound like Jars of Clay. You ever hear a rock band in church? They’ve got a captive audience, so they just keep going and going and going with the same languid Guitar Solo Of The Lord until you are begging, begging for the chance to sit down and hear a sermon.

I actually liked the next band. Andy was the drummer in this one. They were loud and upbeat. Then the lead singer wanted to, like, talk to us.

"Who here knows who John Calvin is?"

What is it with these nerdy musicians and their pop quizzes tonight?

Actually, he never explained who John Calvin is; only that "I’m a geek and I write songs about theology." Wankerish, but the music wasn’t bad, although it did not succeed with the stated goal of establishing the moral authority of the church. But this was a tough crowd for that anyway. It’s Malibu! We passed a Scientology church stronghold down the street on the way here.

The narrative of the Red Tent — a book that I have never read (thanks for lending it to me, Rhymes With Leather!) — begins right after Jacob stole the family’s birthright from Esau and fled to escape the wrath of his brother or something. I’m not cracking open a Bible (which I have also never read) to look up the particulars of the story because eww. So, we hear, in a voice and language reminiscent of the Bible’s beautiful formality, the story of Jacob’s meeting Rachel and Leah, and the births of Jacobs sons and daughters, including the book’s actual narrator: Dinah, daughter of Leah.

The Red Tent was an actual tent that travelled with Jacob’s family and housed the women during their menstrual periods. This was not an exile or a punishment; rather, being in the red tent was an honour that all Israelite women shared. Jacob’s family scorned the women of Esau’s family for not having a red tent. In the tent, there was an underlying mood of solidarity among the women — even among rivals, like Leah — Jacob’s fruitful first wife, and Rachel, who, though nearly barren, was the one he loved most passionately. It is in the red tent that Dinah learns what a family is and what womanhood is. As she grows up, the story of Jacob becomes more peripheral while we, the readers, get a distinct portrait of womanhood in the time of the patriarchs (I don’t know if I should capitalize that and I’m not going to).

There is a formal, romanticized feel to Anita Diamant’s narrative voice. Landscapes, personalities, cooking, even sex and death all burn with a gentle glow in Dinah’s narration. I was impressed with how thorough this voice was: perfumey and smooth, somehow encapsulating all of Dinah’s personality.

So what made her story worth telling? Is it because she grew up knowing bigshot asshole patriarchs? There was something else lurking underneath this voice, thorough as it was, that seemed slightly frustrating and dishonest. Dinah doesn’t seem to be fully there when conflict arises. Because of this, at times it seems more like she is more interested in observing her own life than moving it along, as though it were just part of the scenery she was describing so sweetly.

The best example of this is a retelling of Genesis chapter 34: Dinah’s marriage to the Prince of Shechem. Although Dinah is wooed very tenderly and beautifully and falls in love with the prince and they have lots of great sex (yes, that’s pretty much the only part I paid attention to. Or, at least, I would have if I had actually read the book. Ahem), and the prince agrees that he and all of his kinsmen shall be circumcised to prove good faith before Jacob and his god, Dinah’s brothers act as though she has been raped. They take "revenge" by storming the Prince’s house at night, murdering him and all the other Shechemites there.

Dinah, obviously, is not too happy about this. But what could she do? Did I want her to go upside one of her brothers’ heads? Sure. But she couldn’t. Because they acted under Jacob’s sanction, and it is not possible for Dinah to act against the family hierarchy, whether the H.J.I.C. is male or female. And then it hit me: her lack of agency wasn’t dishonesty; it was her reaction to power and the structure of patriarchy: another lesson learned in the red tent.

I volunteered to go on-stage for Fred Winters’ hypnotism show last night, and it was so educational! He sat the volunteers down on stage, 18 in all, in a semicircle. He talked with a pleasant kind of authority to his voice, and played some 80s music to relax us while he spoke.

It was nice! It was working! I was relaxed - not as deeply as the other recruits (the kid sitting next to me - dressed like Mystery - fell asleep with his head in my lap) - but I felt completely at ease. I didn’t feel the stage fright I usually feel, oh, all the time. I knew the audience was out there laughing at me, but that didn’t seem so important. "Nothing you feel is wrong," said Fred, rightly. They were still laughing, but it was like they were far off, behind a glass wall, up in space. Their volume was turned way down. Everything was fine. There was only music and the Voice of Fred. My feet were on the floor. My hands were in my lap. My eyes were closed. The Voice went up, it went down, it stayed the same, all at once. He counted to ten.

Suddenly, "Sleep!"

The way he said it, fast and powerful, like getting socked in the head; the same jolt, the same flash of white light at the moment of impact, but no aggression, can’t hit back, don’t even want to, just wanna sink into the chair.

"Sleep!" Pow!

My breathing was slow, steady. My head tilted forward toward my lap. Everything was so heavy. Everything just wanted to stay put. Everything was fine.

At first.

My arms and legs felt like cinderblocks, just like he said they would. That was nice. But the part of my brain that connects dots, articulates nuances, makes jokes, appreciates art; that part was turned off. Shut down. Out of reach. As though I could touch it, but the part I could touch was only a memory. I get that same stupid feeling from weed, which is why I hate being high.

After that his suggestions got hairy. Deep down, I didn’t really wanna dance, I didn’t really wanna see Fred naked, and I didn’t wanna act like Fred was invisible. He commanded us to forget our names. Yeah, right. He went to each recruit and asked them, one by one, "What’s your name?" Some were silent. Some stuttered. They even bantered with Fred about shit I’ve forgotten. But they. Just. Could. Not. Say. Their. Names. What gives? I could remember mine, "Hyper-literate Bastard," but it was distant, like the audience, up on a high shelf. I could just reach up and grab it - that’s all! Fred kept going. Students kept forgetting. Until Jeff.

When Fred asked his name, it came out right away, not even missing a beat. "Jeff." Suddenly the spell was broken for me, too. The microphone came down in front of me. I reached up to the shelf and gave Fred what I found: "Hyper-literate Bastard."

These things happen, he said.

From then on, the audience and the lights still had that same distant quality, but not as much so as before. The spell was broken. I didn’t feel like dancing anymore. Earlier, Fred told us that all he does is suggest; that hypnotism won’t work if we don’t open our minds and just let it happen. Well, it wasn’t happening. Maybe I had other things on my mind. Or maybe it’s because I was waltzing with a fat lesbian (Actually, I didn’t mind that so much. By the way, what is it with me meeting all these gay girls? Last semester I couldn’t meet a minority to save my life. Now they’re multiplying like goblins). At any rate, when he told me to act like I had laid an egg, I faked it.

While I was on my way home, a couple of girls dressed like Agent Scully stopped to chat with me. They were with Paige, a redhead who (1) was not dressed up, (2) was my classmate in Public Speaking last semester, and (3) I don’t like very much. Mind you, to make me dislike her, she had to overpower my deeply ingrained redhead lust. How did she accomplish this colossal feat? More on that in a minute.

The tall one introduced herself as "Sister Elizabeth." She led the conversation, talking with me about forming a personal relationship with Whoever and seeking a Purpose In Life (Nothing is true; everything is permitted). I was polite and respectful, I swear. After that, "Sister Carroll," who had nice eyes and entirely too much makeup, handed me a business card. Church of Jesus Christ of Latter-Day Saints. I looked at the card, then back at Paige, her auburn locks glimmering under the magical winter sun, and back at the card, as though it held the very secret of her (erstwhile?) doucherie.

Last semester, Paige’s speeches in class always came off as condescending and judgemental. Whenever I talked to her outside of class, I found her cold, snotty, and aloof. In hindsight I could have tried the ol’ "faith in the Lord" spiel to break the ice, but what if I did that and found out she really was the mean snob she only seemed to be? My entire faith in humanity was riding on this question, and to be honest, I wasn’t really willing to risk the answer. And I think that articulates what will probably keep me away from religion forever.

Between me and a personal relationship with God there always lies a Paige. A bullying hypocrite who thinks religion is a war you win against other people, instead of a way to open hearts and minds. When religion can make jerks into kind people, then will I make a joyful noise unto the Lord, but not a moment before.