In the process of reviewing Dancing at Lughnasa, I noted that one of the sisters was hot. "Hottest," in fact. I hear the actress’ significant other flew into a rage and and wanted to go all Hulk-smashey on The Hour Badly Spent. Well, where I come from, we distinguish between idly admiring a girl for her looks, complimenting her on a sort of striking beauty which is glaringly obvious to everyone anyway, and actually hitting on her.
These subtle nuances are apparently lost on Kansans. Fine; since I have no way of actually knowing who’s boinking whom, I take back the compliment. Everybody in the theatre department is ugly. And not just ugly, but extremely ultrahideous. And not just extremely ultrahideous, but so miserably appallingly haggard that the mere sight of any of you makes me want to repent of my sins and bathe my eyes in battery acid.
Glad I got that off my chest. So what did you think of Mud, River, Stone? I don’t remember too much of it, because I’m not drunk like I was when I saw the play way back in February, but I remember liking it.
In it, a bunch of richly-storied characters, starting with an annoying NYC black couple (they were from NY, right? I hardly remember), were thrown together at a quaint off-the-beaten-path South Africa hotel. Bells and alarms started going off the moment the couple stepped on stage, because I used to watch Friends, a show that proved there are no black people in New York.
Immediately, Sarah Bradley starts bitching because she can’t charge her iPod or something. Which was awesome. My favorite frenemy - Ama Cyllah’s actress - agreed.
My Hair Thinks Its Famous: What did you think of Sarah?
The Hour Badly Spent: So persistently snotty. So relentlessly catty. Exactly what I look for in a girl.
My Hair Thinks Its Famous: I know. She acts like that in real life too. Isn’t she hot!
The Hour Badly Spent: Yes!
[Ed. note: I meant no, because as we just established, everyone’s too fugly].
My Hair Thinks Its Famous: You should get her number.
The Hour Badly Spent: You kidding? Actresses are scary. And I’m not that drunk yet.
Mr. Blake, an affable Englishman — wait, no, a white African with a British accent — wait, no, leader of the League of Extraordinary Gentlemen — translates the spit of the country that raised him into a wise, pithy sort of polish. "There is no telephone, no running water, not even a road. Just perfect martinis," he once said (a note on martinis: they are all perfect). Blake is graceful whether he is being conciliatory or aggressive; in fact, his confrontations often move the plot along when it veers into stagnation.
Left stranded at the hotel as part of a peacekeeping envoy, Simone Frick stammered through her part like a mouse talking her way out of a tiger pit. Her crisp uniform and radiant, hyperblonde hair underscored how out-of-place the character felt. Silly Ms. Frick! When you visit a war zone, you’ve gotta do like I do, and walk up in there like you fucking own the joint. You’d be surprised at how far a pimp roll will take you, literally and metaphorically.
There were other actors too. Whatever. Eventually, cabin fever really sets in. Everyone starts to get kinda livejournalley; going through all their character histories, their oedipal issues, proving how "African" they truly are or something. We are given an education that, however self-indulgent, is also insightful and unromanticized. Then someone shoots someone else, and he pretty much deserves it for taking hostages and being a chronic ass. Oh Mr. Blake, why couldn’t you take me too?
